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Pieter Aertsen  Butcher's Stall with the Flight into Egypt oil painting


Butcher's Stall with the Flight into Egypt
Painting ID::  177
Pieter Aertsen
Butcher's Stall with the Flight into Egypt
1551 Uppsala University Art Collection

   
   
     

Pieter Aertsen Market Scene with Christ and the Adulteress oil painting


Market Scene with Christ and the Adulteress
Painting ID::  178
Pieter Aertsen
Market Scene with Christ and the Adulteress
1559 Stadelsches Kunstinstitut, Frankfurt

   
   
     

Pieter Aertsen Market Scene oil painting


Market Scene
Painting ID::  21963
Pieter Aertsen
Market Scene
undated Oil on oakwood,127 x 85 cm Wallraf-Richartz-Museum,Cologne

   
   
     

Pieter Aertsen Christ and the Adulteress (mk14) oil painting


Christ and the Adulteress (mk14)
Painting ID::  21965
Pieter Aertsen
Christ and the Adulteress (mk14)
1559 Oil on wood,122 x 177 cm Stadelsches Kunstinstitut,Frankfurt

   
   
     

Pieter Aertsen Market Scene(Ecce Homo fragment) (mk14) oil painting


Market Scene(Ecce Homo fragment) (mk14)
Painting ID::  21969
Pieter Aertsen
Market Scene(Ecce Homo fragment) (mk14)
c 1550 Oil on oakwood,59.5 x 122.5 cm Alte Pinakothek,Munich

   
   
     

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     Pieter Aertsen
     1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).

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